Machine generated contents note: 1.Transnational, Multilingual, and Post-dramatic: Rethinking the Location of Translation in Contemporary Theatre / Cristina Marinetti -- 2.Masks, Music Scores, and Hourglasses: Rethinking Performability through Metaphors / Eva Espasa -- 3.Semantics and Syntax in Translating Shakespeare / Alessandro Serpieri -- 4.Verse Translation for the Theatre: A Spanish Example / Paola Ambrosi -- 5.Performing Intertextuality in Translating Rewrites / Silvia Bigliazzi -- 6.From the Peninsula Westward: A Journey among Translations / Lucia Nigri -- 7.Exploring a Bilingual Aesthetics through Translation in Performance / Louise Ladouceur -- 8.Beckett, `Thou Art Translated' / Enoch Brater -- 9.The Pirandellian mise-en-scene and the Vanishing Translation / Sharon Wood -- 10.Translator and Director: At Daggers Drawn? / Jean-Louis Besson -- 11.Dramatic Text / Literary Translation / Staging / Guillermo Heras -- 12.Translating for the Audience: Plautus's Captivi by Accademici Intronati (Siena 1530) and Goldoni's Adaptation of Voltaire's L'Ecossaise (Venezia 1761) / Marzia Pieri -- 13."To act, to do, to perform": Franz Heufeld's and Friedrich Ludwig Schroder's Hamlet-Adaptations for the German Stage / Peter Kofler -- 14."For the Newer Stage" and "For Our Contemporary Emotion": Suggestion and Emotion in Hofmannsthal's Drama Translations / Dieter Martin -- 15.Nogami Toyoichiro's Noh Translation Theories and the Primacy of Performance / Beverley Curran -- 16.Transforming Shakespeare into a Kabuki Piece for the Modern Audience: Ninagawa's Twelfth Night / Ayami Oki-Siekierczak.
