Machine generated contents note: pt. I Historical and Theoretical Perspectives -- 1."Beginnings without Ends": Conceptual Parameters and the Critical Discourses of Episodic Cinema -- 2.Regulated Variety and Excess: Antecedents and Extensions of Episodic Cinema -- 3.Key Concepts in Transauthorial Cinema: Abundance, Change, Containment, and Order -- 4.Key Concepts in Film Studies: Audience, Authorship, Genre, and Nation -- pt. II Get on the Omnibus: Case Studies in Transauthorial Cinema -- 5.Wartime "Consensus Pictures" and the "Housing" of History: From Forever and a Day to Dead of Night -- 6.Three Cases of Maugham: Quartet, Trio, and Encore -- 7.Episodic Erotics and the Politics of Place: From Love in the City to Love and Anger -- 8.Collective Opposition, Political Participation, and Worldwide Competition: From Visions of Eight to Visions of Europe -- 9.The Recent Revival of the Omnibus Film: From Paris, je t'aime to 11'09"01.