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Romanticism & the school of nature : nineteenth-century drawings and paintings from the Karen B. Cohen collection / Colta Ives with Elizabeth E. Barker

Author
Ives, Colta Feller
Additional Titles
Romanticism and the school of nature
Published
New York : The Metropolitan Museum of Art, [2000]
New Haven : [distributor] Yale University Press.
Copyright Date
©2000
Physical Description
xiii, 248 pages : illustrations (chiefly color) ; 29 cm
Additional Creators
Barker, Elizabeth E. and Metropolitan Museum of Art (New York, N.Y.)
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Summary
By Colta Ives with Elizabeth E. Barker, 2000. Published in conjunction with the exhibition "Romanticism and the School of Nature: Nineteenth-Century Drawings and Paintings from the Karen B. Cohen Collection" at The Metropolitan Museum of Art, New York, October 17, 2000{u2013}January 21, 2001. This publication presents one hundred and fifteen drawings and paintings from the holdings of Karen B. Cohen, a noted New York collector. These French and English ninteenth-century works include landscapes, portraits, figure compositions, and still lifes by great artists of the Romantic period, the Barbizon School, and the Realist School, beginning with Prud'hon and ending with Seurat. A varied range of compositions by such masters as Gericault, Corot, Rousseau, Couture, Daubigny, and especially Delacroix is included. Among the highlights is a group of oil paintings by Courbet{u2014}both landscapes and portraits{u2014}and a series of cloud studies by Constable. Because these pictures have been held for so long in private hands, most are little known today, despite the fact that they were made by noted masters. Many are published here for the first time, often with comparative illustrations. The character of the images assembled is remarkable, reflecting the collector's personal response to the turbulent dramas of the Romantics, the fresh discovery of landscape by French and English painters of the School of Nature, and the somber realism of Courbet and his followers. Nearly all the artists represented were alternately damned and praised for their modernity, for they were eager to present the natural world in as vivid a way as possible. Their sensitive treatment of nature and of human life, frequently in a fluid, cursory style, was intended to elicit a heightened response from the viewer. -- Metropolitan Museum of Art website.
Subject(s)
ISBN
0870999648 (The Metropolitan Museum of Art)
0300085117 (Yale University Press)
Note
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Oct. 17, 2000-Jan. 31, 2001.
Exhibition title: Romanticism and the school of nature : nineteenth-century drawings and paintings from the Karen B. Cohen collection.
Bibliography Note
Includes bibliographical references (pages 238-247) and index.
Reproduction Note
Also available as electronic reproduction. Plymouth Meeting, Pa. : codeMantra ; The Metropolitan Museum of Art, 2012.
View MARC record | catkey: 13227734