Machine generated contents note: pt. ONE SCHENKERIAN AND OTHER THEORY -- 1.Dissonant Prolongation: Theoretical and Compositional Precedents (1976) -- 2.Schenker and the Theoretical Tradition: The Concept of Musical Reduction (1978) -- 3.Schenker and the Twentieth Century: A Modernist Perspective (2002) -- 4.Musical Time/Musical Space (1980) -- pt. TWO MUSIC ANALYSIS -- 5.Chopin's Modular Forms (2008) -- 6.Circular Form in the Tristan Prelude (2000) -- 7.Ives and Mahler: Mutual Responses at the End of an Era (1978) -- 8.Chasing the Scent: The Tonality in Liszt's Blume und Duft (1997) -- 9.Two Early Schoenberg Songs: monotonality, multitonality, and schwebende Tonalitat (2010) -- 10."The Things Our Fathers Loved": Charles Ives and the European tradition (1997) -- 11.On the Analysis of Recent Music (1977) -- pt. THREE MUSIC AND SOCIETY -- 12.Tradition, Anxiety, and the Current Musical Scene (1988) -- 13.Secret Languages: The Roots of Musical Modernism (1984) -- 14."A New Musical Reality": Futurism, Modernism, and "The Art of Noises" (1994) -- 15.Rethinking Musical Culture: Canonic Reformulations in a Post-Tonal Age (1992).
