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Dancing on the color line : African American tricksters in nineteenth-century American literature / Gretchen Martin

Author
Martin, Gretchen, 1966-
Published
Jackson : University Press of Mississippi, [2015]
Physical Description
x, 197 pages ; 24 cm

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Contents
Machine generated contents note: ch. 1 Swallow Barn's Signifying Son Trickster Wit And Subversive Hero -- ch. 2 Come Back To The Cabin Ag'in, Tom Honey! -- ch. 3 Melville's Signifying Monkey "Starts Some Shit" -- ch. 4 Born In A Brier-Patch And Frontier Bred -- Joel Chandler Harris in Black and White -- ch. 5 Twain's Tricksters -- Slip the Yoke and Poach the Joke -- CONCLUSION: THE TELLERS -- "Not without Laughter".
Summary
"The extensive influence of the creative traditions derived from slave culture, particularly black folklore, in the work of nineteenth- and twentieth-century black authors, such as Ralph Ellison and Toni Morrison, has become a hallmark of African American scholarship. Yet similar inquiries regarding white authors adopting black aesthetic techniques have been largely overlooked. Gretchen Martin examines representative nineteenth-century works to explore the influence of black-authored (or narrated) works on well-known white-authored texts, particularly the impact of black oral culture evident by subversive trickster figures in John Pendleton Kennedy's Swallow Barn, Harriet Beecher Stowe's Uncle Tom's Cabin, Herman Melville's Benito Cereno, Joel Chandler Harris's short stories, as well as Mark Twain's Adventures of Huckleberry Finn and Pudd'nhead Wilson. As Martin indicates, such white authors show themselves to be savvy observers of the many trickster traditions and indeed a wide range of texts suggest stylistic and aesthetic influences representative of the artistry, subversive wisdom, and subtle humor in these black figures of ridicule, resistance, and repudiation. The black characters created by these white authors are often dismissed as little more than limited, demeaning stereotypes of the minstrel tradition, yet by teasing out important distinctions between the wisdom and humor signified by trickery rather than minstrelsy, Martin probes an overlooked aspect of the nineteenth-century American literary canon and reveals the extensive influence of black aesthetics on some of the most highly regarded work by white American authors"--
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ISBN
9781496804150 hardcover
1496804155 hardcover
Bibliography Note
Includes bibliographical references and index.
View MARC record | catkey: 16826092