Machine generated contents note: pt. I Alternative Institutions -- 1.Under the Aegis of Surrealism: How a Publicity Artist Became the Manager of an Independent Film Company -- 2.The Rise of the Accursed: When Bresson Was Copresident of an Avant-Garde Cine-Club -- pt. II Vanguard Forms -- 3.Purifying Cinema: The Provocations of Faithful Adaptation and First-Person Storytelling in "Ignace de Loyola" (1948) and Journal d'un cure de campagne (1951) -- 4.Theorizing the Image: Bresson's Challenge to the Realists---Sparse Set Design, Acting, and Photography from Les anges du peche (1943) to Une femme douce (1969) -- 5.Vernacularizing Rhythm: Bresson and the Shift Toward Dionysian Temporalities---Plot Structure and Editing from Journal d'un cure de campagne (1951) to L'argent (1983).
9780253024695 hardcover alkaline paper 0253024692 hardcover alkaline paper 9780253024862 paperback alkaline paper 0253024862 paperback alkaline paper 9780253025012
