Machine generated contents note: CHORUS I THE PROMISE OF RUST -- I -- II -- III -- IV -- CHORUS II PAVEMENT SWEEPERS' BIRDCALL -- V -- VI -- VII -- VIII -- CHORUS III BECAUSE WE AREN'T STILL -- IX -- X -- XI -- XII.
Summary
Hari Alluri has been described by US Poet Laureate Juan Felipe Herrera as a writer who "carries a new, quiet brush of multi-currents, of multi-worlds to paint this holographic life-scape." In The Flayed City, he offers an intimate look into the lives of city dwellers and immigrants in a collection of charged poems that sweep together "an archipelago song" scored by memory and landscape, history and mythology, desire and loss. Driven by what is residual--displacement, family, violent yet delicate masculinity, undervalued yet imperative work--Alluri's lines quiver with the poet's distinctive rendering of praise and lament steeped with "gravity and blood" where "the smell of ants being born surrounds us" and "city lights form constellations // invented to symbolize war." The Flayed City offers a powerful glimpse into a secondary world whose cities, cultural histories and trajectories are hybrids or "immigrated" versions of this one.
