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The enjoyment of music / Kristine Forney, Professor of Music California State University, Long Beach ; Andrew Dell'Antonio, Distinguished Teaching Professor of Music, the University of Texas at Austin ; Joseph Machlis, Late of Queens College of the City University of New York

Author
Forney, Kristine
Published
New York ; London : W.W. Norton & Company, 2015.
Edition
Twelfth edition, full version.
Physical Description
xxxi, 571 pages, A1-A67 pages : illustrations, maps, music ; 29 cm
Additional Creators
Machlis, Joseph, 1906-1998 and Dell'Antonio, Andrew

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Contents
Machine generated contents note: pt. 1 Materials of Music -- Prelude 1 Listening to Music Today -- ch. 1 Melody: Musical Line -- The Structure of Melody -- ch. 2 Rhythm and Meter: Musical Time -- Metrical Patterns -- Rhythmic Complexities -- ch. 3 Harmony: Musical Depth -- The Organization of Harmony -- Consonance and Dissonance -- ch. 4 The Organization of Musical Sounds -- The Chromatic Scale -- The Major Scale -- The Minor Scale -- Diatonic vs. Chromatic -- The Major-Minor System -- ch. 5 Musical Texture -- Types of Texture -- Contrapuntal Devices -- ch. 6 Musical Form -- Structure and Design in Music -- The Building Blocks of Form -- ch. 7 Musical Expression: Tempo and Dynamics -- The Pace of Music -- Loudness and Softness -- Tempo and Dynamics as Elements of Expression -- ch. 8 Music and Words -- ch. 9 Voices and Instrument Families -- Musical Timbre -- The Voice as Instrument -- The World of Musical Instruments -- ch. 10 Western Musical Instruments -- String Instruments -- Woodwind Instruments -- Brass Instruments -- Percussion Instruments -- Keyboard Instruments -- ch. 11 Musical Ensembles -- Choral Groups -- Chamber Ensembles -- The Orchestra -- Wind, Jazz, and Rock Bands -- The Role of the Conductor -- The Orchestra in Action -- LG 1 Britten: The Young Person's Guide to the Orchestra -- ch. 12 Style and Function of Music in Society -- The Concept of Style -- Musical Styles in History -- pt. 2 The Middle Ages and Renaissance -- Prelude 2 The Culture of the Middle Ages and Renaissance -- Early Middle Ages -- Later Middle Ages -- The Arts in the Renaissance -- Musicians in Medieval and Renaissance Society -- ch. 13 Listening to the Dove: Medieval Sacred Music -- Plainchant: Music of the Church -- The Mass -- LG 2 Gregorian Chant: Kyrie -- Life and Music in the Medieval Monastery -- LG 3 Hildegard of Bingen: Alleluia, O virga mediatrix -- Early Polyphony -- LG 4 Notre Dame School: Gaude Maria virgo -- Encounter: Islamic Chant -- ch. 14 Courtiers and Carols: Medieval Secular Music -- Medieval Minstrels and Court Musicians -- Interface: Opening Doors to the East: The Crusades -- LG 5 Raimbaut de Vaqueiras: Kalenda maya -- Machaut and the French Ars nova -- LG 6 Machaut: Ma fin est mon commencement -- The Hundred Years' War and Music -- LG 7 Agincourt Carol: Deo gratias, Anglia -- Early Instrumental Music -- ch. 15 Textures of Prayer: Renaissance Sacred Music -- The Early Renaissance Mass -- LG 8 Du Fay: Kyrie, from L'homme arme Mass -- Josquin des Prez and the Motet -- LG 9 Josquin: Ave Maria ... virgo serena -- The Reformation and Counter-Reformation -- LG 10 Palestrina: Gloria, from Pope Marcellus Mass -- ch. 16 Singing in Friendship: Renaissance Secular Vocal Music -- Social Music-Making in the Renaissance -- The Chanson in the Early Renaissance -- LG 11 Josquin: Mille regretz -- The Madrigal: Linking Music and Poetry -- LG 12 Arcadelt: Il bianco e dolce cigno -- Interface: Printing and Literacy -- The Chanson in the Later Renaissance -- LG 13 Lassus: Bon jour mon coeur -- The Madrigal in England -- LG 14 Farmer: Pair Phyllis -- ch. 17 Ceremony and Dance: Renaissance Instrumental Music -- LG 15 Susato: Three Dances -- From the Renaissance to the Baroque -- LG 16 Gabrieli: Canzona septimi toni -- A Comparison of Medieval, Renaissance, and Baroque Styles -- pt. 3 The Baroque Era -- Prelude 3 The Baroque Spirit -- Baroque Art and Culture -- Main Currents in Baroque Music -- An All-European Art -- ch. 18 Drama Through Music: Baroque Opera -- The Components of Opera -- Monteverdi and Early Opera in Italy -- LG 17 Monteverdi: The Coronation of Poppea, Act Ml, scene 7 -- Early Opera in England -- LG 18 Purcell: Dido and Aeneas, Act III, Opening and Lament -- Italian "International" Opera in the Late Baroque -- LG 19 Handel: Julius Caesar, Act II, "V' Adoro" -- ch. 19 Glorious Worship: Baroque Liturgical Music -- Nuns and Music in Baroque Italy -- Interface: The Musical World of the Convent -- LG 20 Cozzolani: Magnificat -- The Lutheran Chorale and Cantata -- Bach and the Lutheran Tradition -- LG 21 Bach: Cantata No. 140, Wachet auf, Nos. 1-4, 7 -- ch. 20 Collective Praise: Baroque Devotional Music -- The Oratorio -- LG 22 Handel: Messiah, Nos. 1,14-18, 44 -- From "Lining-Out" to Singing Schools in the Colonies -- Interface: Shape-Note Singing and Worship in North America -- LG 23 Billings: David's Lamentation Encounter: Blending Worship Traditions in Colonial Latin America -- ch. 21 Form and Process: Baroque Chamber Music -- Baroque Keyboard Instruments -- Sonata Types -- LG 24 Corelli: Trio Sonata in D Major, Op. 3, No. 2, excerpts -- Domenico Scarlatti and the Solo Sonata -- LG 25 Scarlatti: Sonata in C Major, K. 159 (The Hunt) -- Other Keyboard Forms -- The Fugue and Its Devices -- Bach's Keyboard Fugues -- LG 26 Bach: Contrapunctus I, from The Art of Fugue -- ch. 22 Grace and Grandeur: The Baroque Suite -- Baroque Instruments -- The Baroque Suite -- Handel and the Orchestral Suite -- LG 27 Handel: Water Music, Suite in D Major, I and II -- Music at the French Royal Court -- LG 28 Mouret: Rondeau, from Suite de symphonies -- ch. 23 Contrasts and Combinations: The Baroque Concerto -- Vivaldi and the Solo Concerto -- LG 29 Vivaldi: Spring, from The Four Seasons -- Bach and the Concerto -- LG 30 Bach: Brandenburg Concerto No. 2 in F Major, I -- Looking Ahead to the Age of Enlightenment -- A Comparison of Baroque and Classical Styles -- pt. 4 Eighteenth-Century Classicism -- Prelude 4 Music as Order and Logic -- Classicism and Enlightenment Culture -- Interface: Science, Philosophy, and Music in the Age of Enlightenment -- Classicism in Music -- The Patronage System -- From Palace to Concert Hall -- ch. 24 Form as Meaning: Classical Forms -- Expanding Musical Ideas -- The Multimovement Cycle -- ch. 25 Musical Conversations: Classical Chamber Music -- LG 31 Haydn: String Quartet, Op. 76, No. 3 (Emperor), II -- Chamber Music and the Listener -- LG 32 Mozart: Eine kleine Nachtmusik -- The Sonata in the Classical Era -- LG 33 Beethoven: Piano Sonata in C-sharp Minor, Op. 27, No. 2 (Moonlight) -- Encounter: North Indian Classical Music -- ch. 26 The Ultimate Instrument: The Classical Symphony -- Early History of the Symphony -- The Classical Orchestra -- The Movements of the Symphony -- LG 34 Mozart: Symphony No. 40 in G Minor, I -- LG 35: Haydn: Symphony No. 100 in G Major (Military), II -- Beethoven and the Symphony in Transition -- Interface: Beethoven and the Politics of Music -- LG 36 Beethoven: Symphony No. 5 in C Minor -- ch. 27 Conversation with a Leader: The Classical Concerto -- Movements of the Classical Concerto -- LG 37 Mozart: Piano Concerto in G Major, K. 453 -- Famous Women Virtuosos of the Eighteenth Century -- LG 38 Haydn: Trumpet Concerto in E-flat Major, III -- ch. 28 Voicing Classicism: Choral Music and Opera -- Mozart and Myth -- LG 39 Mozart: Dies irae, from Requiem -- LG 40 Haydn: The Creation, Part I, closing -- Classical Opera -- LG 41 Mozart: Don Giovanni, Act I, scene 2 -- pt. 5 The Nineteenth Century -- Prelude 5 The Spirit of Romanticism -- An Age of Revolutions -- Romantic Writers and Artists -- Romanticism in Music -- The Musician in Society -- ch. 29 Musical Reading: Early Romantic Art Song -- The Lied -- Schubert and the Lied -- LG 42 Schubert: Elfking (Erlkonig) -- Schumann and the Song Cycle -- LG 43 Schumann: In the Lovely Month of May, from A Poet's Love (Dichterliebe) -- ch. 30 Characteristic Elegance: Romantic Piano Miniatures -- The Nineteenth-Century Piano -- The Short Lyric Piano Piece -- LG 44 Chopin: Mazurka in B-flat Minor, Op. 24, No. 4 -- Women and Music in Nineteenth-Century Society -- Interface: Music, Gender, and Domesticity -- LG 45 Hensel: September: At the River, from The Year -- ch. 31 Piano Triumphant: Larger Piano and Chamber Works -- The Rise of the Virtuoso Performer/Composer -- Liszt: Incomparable Performer -- LG 46 Liszt: Hungarian Rhapsody No. 2 in C-sharp Minor -- Out of the Shadows: Clara Schumann as Pianist and Composer -- LG 47 Clara Schumann: Piano Trio in G Minor, III -- Encounter: Roma Music -- ch. 32 Crossing the Atlantic: Nineteenth-Century American Traditions -- Music in Early North America: Cultivated and Vernacular -- LG 48 Foster: Jeanie with the Light Brown Hair -- Gottschalk: Composer for the Americas -- LG 49 Gottschalk: The Banjo -- Spirituals and the Jubilee Tradition -- Spirituals and the Art-Song Tradition -- LG 50: Swing Low, Sweet Chariot -- ch. 33 Personal Soundtracks: Romantic Program Music -- Romantic Program Music -- Interface: Musical Instruments and New Technologies -- LG 51 Berlioz: Symphonie fantastique, IV and V -- Musical Nationalism -- A Scandinavian Nationalist: Edvard Grieg -- LG 52 Grieg: Peer Gynt, Suite No. 1, excerpts -- ch. 34 Absolutely Classic: The Romantic Concerto and Symphony -- Absolute Music in the Romantic Era -- The Romantic Concerto -- LG 53 Mendelssohn: Violin Concerto in E Minor, I -- The Romantic Symphony -- LG 54 Brahms: Symphony No. 3 in F Major, III -- LG 55 Dvorak: Symphony No. 9, From the New World, I -- ch. 35 Multimedia Hits and Total Art: National Styles of Romantic Opera -- Women and Nineteenth-Century Opera -- Verdi and Italian Opera -- LG 56 Verdi: Rigoletto, Act III, excerpts -- Wagner and German Musical Theater -- LG 57 Wagner: Die Walkure, Act III, Opening and Finale Encounter: Chinese Opera -- ch. 36 Foreign Allure: Opera and Exoticism -- Bizet and Exoticism in French Opera -- LG 58 Bizet: Carmen, Act I, scenes 4 and 5 -- Post-Romanticism -- LG 59 Puccini: Madame Butterfly, "Un bel di" Encounter: Japanese Music -- ch. 37 End of an Era: Late Romantic and Post-Romantic Traditions -- Romantic Choral Music -- Faure and Late French Romanticism -- LG 60 Faure: Libera me, from Requiem -- Poetry in Motion: The Ballet -- LG 61 Tchaikovsky: The Nutcracker, Three Dances -- The Post-Romantic Voice of Gustav Mahler -- LG 62 Mahler: The Song of the Earth, III -- and Contents note continued: ch. 38 Images and Symbols: Impressionists and Post-Impressionists -- Impressionism and Symbolism in Paris -- Translating Impressions into Sound -- LG 63 Debussy: Prelude to "The Afternoon of a Faun" -- Ravel as Post-Impressionist -- Interface: Music, World Colonization, and the Exotic -- LG 64 Ravel: Don Quixote to Dulcinea, Two Songs Encounter: Traditional Spanish Dance -- A Comparison of Romantic, Impressionist, and Early Twentieth-Century Styles -- pt. 6 Twentieth-Century Modernism -- Prelude 6 Making Music Modern -- Modernisms -- Features of Early Musical Modernism -- ch. 39 Calculated Shock: European Modernists -- Stravinsky's Rite of Spring: Collaborative Multimedia -- LG 65 Stravinsky: The Rite of Spring, Part I, excerpts -- Schoenberg and the Rejection of Tonality -- LG 66 Schoenberg: Pierrot lunaire, Nos. 18 and 21 -- ch. 40 Chaos into Order: The Second Viennese School -- The Second Viennese School -- LG 67 Berg: Wozzeck, Act III, scene 4, Interlude, and scene 5 -- Webern and Serial Technique -- LG 68 Webern: Symphony, Opus 21, II -- ch. 41 New World Order: American Modernists -- Ives and New England Modernism -- LG 69 Ives: Country Band March -- Still and African American Modernism -- Interface: Identity and the Arts in the Harlem Renaissance -- LG 70 Still: Suite for Violin and Piano, III Encounter: American Folk Traditions -- ch. 42 Sounds American: Nationalism in the Americas -- Copland and the American Orchestral Soundscape -- LG 71 Copland: Appalachian Spring, excerpts -- Musical Traditions of Mexico -- Silvestre Revueltas: "Mestizo Realist" -- LG 72 Revueltas: Homage to Federico Garcia Lorca, III -- Encounter: Musical Traditions in Mexico -- ch. 43 Classic Rethinking: Nationalism in Europe -- European Schools -- Post-Impressionism, Lili Boulanger, and the Prix de Rome -- Interface: The Consummate Pedagogue -- LG 73 Boulanger: Psalm 24 -- Bartok and the Eastern European Tradition -- LG 74 Bartok: Interrupted Intermezzo, from Concerto for Orchestra -- Interface: Anthropology and Traditional Music -- Prokofiev and the Russian School -- LG 75 Prokofiev: Troika, from Lieutenant Kije Suite -- pt. 7 Music Beyond the Concert Hall -- Prelude 7 The Rise of American Popular Styles -- Musical Markets in the United States -- Between the Two Wars: Music in the Great Depression -- ch. 44 A Good Beat: March and Ragtime -- John Philip Sousa and the Band Tradition -- LG 76 Sousa: The Washington Post -- Scott Joplin and Ragtime -- LG 77 Joplin: Maple Leaf Rag -- ch. 45 American Intersections: Jazz and Blues Traditions -- Roots of Jazz and Blues -- The Jazz Singer Billie Holiday -- LG 78 Holiday: Billie's Blues -- Duke Ellington and the Swing Era -- LG 79 Strayhorn/Ellington: Take the A Train -- Bebop, Cool, Latin Jazz -- ch. 46 Staged Sentiment: American Musical Theater -- Gershwin and "Cultivated Jazz" -- LG 80 Gershwin: Summertime, from Porgy and Bess -- Musical Theater in North America -- Bernstein and West Side Story -- Interface: Music as Literature -- LG 81 Bernstein: West Side Story, excerpts -- ch. 47 Underscoring Meaning: Music for Film -- Sound and Film -- John Williams: Star Wars and Beyond -- LG 82 Williams: Imperial March, from The Empire Strikes Back -- Tan Dun: Blending East and West -- LG 83 Tan Dun: Farewell, from Crouching Tiger, Hidden Dragon Encounter: Chinese Traditional Music -- ch. 48 On the Charts: Rock in the Kaleidoscope of Commercial Music -- The Many Voices of Rock -- LG 84 Chuck Berry: Roll Over, Beethoven -- Rock Triumphant: The 1960s -- LG 85 Rolling Stones: 19th Nervous Breakdown -- LG 86 Dylan: Mr. Tambourine Man -- Rock Eclecticism in the 1970s -- The 1980s and Beyond -- LG 87 Madonna: Like a Virgin -- LG 88 Nirvana: Smells Like Teen Spirit -- A Contrasting Case Study: Country-Western Music -- pt. 8 Postmodernism: The Twentieth Century and Beyond -- Prelude 8 New Directions in the Arts -- The Postmodern Turn -- Music in a Postmodern World -- Interface: The Medium Is the Message -- ch. 49 Posthuman Possibilities: Music and Electronic Technology -- The Technological Revolution -- Electrical Vibrations: Synthesizers -- Musical Intelligence: Computers Encounter: Music Technology -- ch. 50 Expanded Sound Palettes: The New Virtuosity in Europe -- Olivier Messiaen and the Second World War -- LG 89 Messiaen: Quartet for the End of Time, 2 -- Gyorgy Ligeti and Micropolyphony -- LG 90 Ligeti: Atmospheres -- ch. 51 Extended Techniques: The New Virtuosity in America -- Early Experiments -- The Music of John Cage -- LG 91 Cage: Sonata V, from Sonatas and Interludes -- George Crumb and Avant-Garde Virtuosity -- LG 92 Crumb: Little Black Horse -- Steve Reich: From Process to Phase -- LG 93 Reich: Electric Counterpoint, III Encounter: Javanese Gamelan -- Encounter: East African Drumming -- ch. 52 Reflective Evocations: Contemporary Neo-Romanticism -- A New Romanticism? -- LG 94 Higdon: blue cathedral, excerpt -- John Corigliano and the Contemporary Song Cycle -- LG 95 Corigliano: Prelude, from Mr. Tambourine Man Encounter: Video Games -- ch. 53 Less Is More: Contemporary Minimalist Trends -- Icons in Sound: John Tavener and Spiritual Minimalism -- LG 96 Tavener: A Hymn to the Mother of God -- Historical Opera in the Twenty-First Century -- LG 97 Adams: Doctor Atomic, "Batter my heart" and "At the sight of this".
Subject(s)
ISBN
9780393936377 (hardcover ; alk. paper)
0393936376 (hardcover alkaline paper)
9780393906035 (paperback)
0393906035 (paperback)
Bibliography Note
Includes bibliographical references and index.
View MARC record | catkey: 21838463