Note-for-note : work, performance and early notation -- Music, will, and representation -- On Hanslick's inconsistency -- Making the codes and breaking the codes : two revolutions in twentieth-century music -- Auditor's emotions : contention, concession, compromise -- Experiencing the musical emotions. and Arousal theory of musical expression : rethinking the unthinkable -- Absolute music and the new musicology -- Movements and 'movements' -- Music in memory and Music in the Moment -- How to forge a musical work.