Actions for Histórias afro-atlânticas = Afro-Atlantic histories
Histórias afro-atlânticas = Afro-Atlantic histories / curadoria e textos, Adriano Pedrosa, Ayrson Heráclito, Hélio Menezes, Lilia Moritz Schwarcz, Tomás Toledo ; organização editorial, Adriano Pedrosa, Tomás Toledo
- Additional Titles
- Parallel title from volume 1: Afro-Atlantic histories
- Published
- São Paulo : Museu de Arte de São Paulo Assis Chateaubriand, MASP : Instituto Tomie Ohtake, 2018.
- Physical Description
- 2 volumes (407, 617 pages) : illustrations (chiefly color), facsimiles, portraits ; 25-28 cm
- Additional Creators
- Pedrosa, Adriano, Heráclito, Ayrson, Schwarcz, Lilia Moritz, Menezes, Hélio, Toledo, Tomás, Carneiro, Amanda, Mesquita, André, Instituto Tomie Ohtake, and Museu de Arte de São Paulo Assis Chateaubriand
- Language Note
- In Portuguese; volume 1 with texts in Portuguese and English.
- Contents
- vol 1. Catálogo = (Catalog) / curadoria e textos, Adriano Pedrosa, Ayrson Heráclito, Hélio Menezes, Lilia Moritz Schwarcz, Tomás Toledo ; organização editorial, Adriano Pedrosa, Tomás Toledo -- vol 2. Antologia / organização editorial, Adriano Pedrosa, Amanda Carneiro, André Mesquita ; com a colaboração de Artur Santoro, Hélio Menezes, Lilia Moritz Schwarcz, Tomás Toledo.
- Summary
- In the most violent and uncertain times of its recent history, Brazil is revisiting the origins of its racial frictions: the slave trade. "Histórias afro-atlânticas" (Afro-Atlantic Histories) is a massive, 380-work survey of African, Latin American, and European art from the past five centuries, chronicling the largest diaspora in modern history. Nearly half of all Africans captured by slave traders were brought to Brazil, from the time the Portuguese arrived, in the 16th century, all the way through the 21st century. The exhibition is a sequel to "Histórias mestiças" (Mestizo Histories), staged four years ago at the Instituto Tomie Ohtake, the cultural center that is also cohosting the current exhibition. Its scope is far-reaching, with pieces by colonial-era Dutch master Albert Eckhout and modern greats Théodore Géricault and Paul Cézanne, as well as contemporary art-world darlings Glenn Ligon, Kara Walker, and Hank Willis Thomas.
- Subject(s)
- Enslaved persons—Brazil—Social life and customs—Exhibitions
- Slave trade—Brazil—History—Exhibitions
- Art, Brazilian—African influences—Exhibitions
- Slavery in art—Exhibitions
- Slave trade in art—Exhibitions
- African diaspora—Exhibitions
- African diaspora in art—Exhibitions
- Black people—Material culture—Brazil—Exhibitions
- Art
- Art, Brazilian—African influences
- Civilization—African influences
- Brazil—Civilization—African influences—Exhibitions
- Brazil
- Genre(s)
- ISBN
- 9788531000492 (v. 1)
8531000491 (v. 1)
9788531000485 (v. 2)
8531000483 (v. 2) - Note
- Published on the occasion of the exhibition held at the MASP and Instituto Tomie Ohtake from June 29 to October 21, 2018 in São Paulo.
Volumes have different covers and dimensions: volume 1, 28 cm; volume 2, 25 cm.
Illustrations present only in volume 1. - Bibliography Note
- Includes bibliographical references and index.
- Source of Acquisition
- Purchased with funds from the Edward J. and Eleanor Black Nichols Library Endowment Fund; 2018
- Endowment Note
- Edward J. and Eleanor Black Nichols Library Endowment Fund
View MARC record | catkey: 24779579