The cultural practice of immigrant filmmaking : minor immigrant cinemas in Sweden 1950-1990 / Lars Gustaf Andersson and John Sundholm
- Andersson, Lars Gustaf
- Bristol, UK : Intellect, 2019.
- Copyright Date:
- Physical Description:
- viii, 158 pages : illustrations ; 24 cm
- Additional Creators:
- Sundholm, John
- Machine generated contents note: Film and theory -- Minor cinemas, the public sphere and the production of locality -- Migration and diaspora: Notes on recent research -- Outline of the book -- ch. 1 Migrants' Minor Cinemas: Beyond Accented and Exilic Cinema -- Accented cinema -- Minor cinema -- Beyond textual models of the accented and exilic -- ch. 2 Conditions of Production: Immigrant's Associations and Workshops in Sweden -- Immigration and culture in post-war Sweden -- Establishing experimental film culture: The Independent Film Group -- Immigrant film as cultural policy: The Stockholm Film Workshop -- The momentary agency: Cineco (Cinecooperativo) -- To be or not to be a filmmaker: Kaleidoscope -- Do it yourself: The Tensta Film Association -- The production of film, the production of experience and the public -- ch. 3 From Avant-Garde to Communion: Ten Films by Immigrant Filmmakers in Sweden -- Fabulations in the minor key -- Studie 1 (Uppvaknandet) / Peter Weiss -- Monos by the Tensta Film Association (1974) -- Vill du folja med mig Martha? by the Tensta Film Association (1980) -- Interference by Maureen Paley (1977) -- Jordmannen by Muammer Ozer (1980) -- Hagringen by Guillermo Alvarez (1981) -- Havet ar langt borta by Reza Bagher (1983) -- Loftet by Menelaos Carayannis (1984) -- La espera by Myriam Braniff (1989) -- Fern minuter for Amerikas doda/Pichqa minutukuna ilaqtanchispi wanuqkunamanta by Cesar Galindo (1992) -- Projecting a public, creating a context -- ch. 4 The Cultural Practice of Minor Immigrant Cinema Archiving -- The archival life of cinema -- The archival trajectories of the immigrant films -- The Stockholm Film Workshop and immigrant filmmaking -- Performing accidental archives -- Dispositif in the making, palimpsests of minor histories and the politics of recognition -- Conclusion: Immigrant Filmmaking as Minor Cinema Practice.
- Bibliography Note:
- Includes bibliographical references (pages 137-144), filmography (pages 145-146), and indexes.
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