Introduction 'An array of Gidgets: the transmedia phenomenon Gidget' -- 'Gidget: the little girl with big ideas: and intertextual original' -- 'Becoming single: Gidget: betwixt and between' -- 'Gidget goes all over the place, but always back to Moondoggie' -- 'Gidget gets small: containing Gidget on the small screen' -- Conclusion: 'Gidget shoots the curl'.
Summary
"Gidget: Origins of a Teen Girl Transmedia Franchise examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s. The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of American white middle class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood's reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, theTammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget's meaning at different points in time. This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture"--
9781315185415 electronic book 1315185415 electronic book 9781351734035 electronic book 1351734032 electronic book 9781351734028 electronic book 1351734024 electronic book 9781351734042 electronic book 1351734040 electronic book
Bibliography Note
Includes bibliographical references and index.
Biographical or Historical Sketch
Pamela Robertson Wojcik is Professor in the Department of Film, TV and Theatre at the University of Notre Dame and Past President of the Society for Cinema and Media Studies. She is a Guggenheim Fellow, writing about mobility and placelessness in American cinema.
