Studying old master paintings : technology and practice : the National Gallery Technical Bulletin 30th anniversary conference postprints / edited by Marika Spring with Helen Howard [and others].

Additional Titles: National Gallery Technical Bulletin 30th anniversary conference postprints
Published: London : Archetype Publications : In association with the National Gallery, 2011.
Physical Description: x, 301 pages : illustrations (some color) ; 30 cm
Additional Creators: Spring, Marika, Howard, Helen (Microscopist), and National Gallery (Great Britain)

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Contents

Machine generated contents note: The `Paliotto' by Guido da Siena from the Pinacoteca Nazionale, Siena / Luciano Sostegni -- Painting on parchment and panel: an exploration of Pacino di Bonaguida's technique / Nancy Turner -- Technical similarities between mural and panel paintings by Giovanni da Milano: Guidalotti-Rinuccini chapel, Santa Croce, Florence / Paola Ilaria Mariotti -- Neroccio's Virgin and Child with Saint Anthony Abbott and Saint Sigismund at the National Gallery of Art, Washington, DC / Steve Wilcox -- A new examination of Giovanni Bellini's `Pesaro Altarpiece': recent findings and comparisons with other works by Bellini / Giovanni Carlo Federico Villa -- Examination of the Uomini lllustri: looking for the origins of the portraits in the Studiolo of the Ducal Palace of Urbino. Part I / Giorgia Sciutto -- Examination of the Uomini Illustri: looking for the origins of the portraits in the Studiolo of the Ducal Palace of Urbino. Part II / Giorgia Sciutto -- Michelangelo's `Doni Tondo' investigated with non-invasive analytical techniques / Roberto Bellucci -- Granacci in The Metropolitan Museum of Art: aspects of evolving workshop practice / Silvia A. Centeno -- Leonardo da Vinci's The Virgin and Child with Saint Anne (Musee du Louvre, Paris): new infrared reflectography / Bruno Mottin -- Leonardo da Vinci's Virgin of the Rocks: technique and the context of restoration / Rachel Morrison -- Observations on workshop practice in fifteenth-century Castile: the altarpiece from the cathedral at Ciudad Rodrigo by Fernando Gallego and his workshop / Claire Barry -- Studying the `Graue Passion' by Hans Holbein the Elder / Amelie Stange -- Albrecht Altdorfer's Crucifixion (Museum of Fine Arts, Budapest) / Anne Woollett -- Developments in the underdrawing and painting technique of the sixteenth-century Leiden School, in particular the workshops of Cornelis Engebrechtsz and Lucas van Leyden / Margreet Wolters -- In search of the right colour: colour notations in a late sixteenth-century Dutch painting / Margreet Wolters -- Caravaggio's underdrawing: a `Quest for the Grail'? / Luca Pezzati -- Multiplicity, authorship and chronology: an integrated evaluation of four images of Saint Francis by El Greco / Jose Luis Merino Gorospe -- Between creativity and economy: remarks on the quality of Rubens' panel supports. A study of paintings in the Royal Museums of Fine Arts of Belgium / Pascale Fraiture -- Travels with Rubens' Last Judgement / Melanie Eibl -- The painting techniques of the Rosenborg Series 1618--1624 and painting materials supplied to the Danish court painters at the time of King Christian IV / Anne Haack Christensen -- Nine Muses in the Oranjezaal: the painting methods of Caesar van Everdingen and Jan Lievens confronted / Lidwien Speleers -- Material as metaphor: non-conscious thinking in seventeenth-century painting practice / E. Melanie Gifford -- Murillo's Christ Healing the Paralytic at the Pool of Bethesda: an introduction to the artist's late painting technique / Dawson Carr -- About skin: technical examination of paintings by Adriaen van der Werff / Willem de Ridder -- Two `mechanical' oil paintings after de Loutherbourg: history and technique / Antony Griffiths -- A lost early conversation piece by Thomas Gainsborough / Hugh Belsey -- `I can see no vermilion in flesh': Sir Joshua Reynolds' portraits of Francis Beckford and Suzanna Beckford, 1755-1756 / Katrien Keune -- Benjamin West and the Venetian Secret / Angus Trumble -- Aspects of Christen Kobke's painting technique: from drawing via oil sketch to the final painting / Mikkel Scharff -- Action speaks louder than words: Thomas Couture as a teacher / Marie Louise Sauerberg -- James McNeill Whistler: fluidity, finish and experiment / Arie Wallert -- A comparative study of Vincent van Gogh's Bedroom series / Don. H. Johnson -- The Scream by Edvard Munch: painting techniques and colouring materials / Biljana Topalova-Casadiego -- Wood species in Italian panel paintings of the fifteenth and sixteenth centuries: historical investigation and microscopical wood identification / Maria Clelia Galassi -- The use of blue and green verditer in green colours in the mid-seventeenth-century paintings of the Oranjezaal, The Hague / Lidwien Speleers -- The rediscovery of sublimed arsenic sulphide pigments in painting and polychromy: applications of Raman microspectroscopy / Christoph Haisch -- In quest of vermilion: production, commerce and use of the pigment in eighteenth-century Spain / Marisa Gomez -- `The heaviest and the whitest': lead white quality in north western European documentary sources, 1400-1900 / Maartje Stols-Witlox.

Subject(s)

ISBN

9781904982630
1904982638

Related Titles

National Gallery Technical Bulletin

Note

Papers originally presented at a conference held at the National Gallery, London, Sept. 16-18, 2009.

Bibliography Note

Includes bibliographical references.

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Studying old master paintings : technology and practice : the National Gallery Technical Bulletin 30th anniversary conference postprints / edited by Marika Spring with Helen Howard [and others].

Availability