Guerard, A. J. The Conradian voice.--Tanner, T. Gnawed bones and artless tales ; seating and narrative in Conrad.--Watt, I. Impressionism and symbolism in Heart of darkness.--Hay, E. K. Impressionism limited.--Said, E. W. Conrad and Nietzsche.--Najder, Z. Conrad and Rousseau: concepts of man and society.--Crankshaw, E. Conrad and Russia.--Busza, A. Rhetoric and ideology in Conrad's Under western eyes.--Fleishman, A. Speech and writing in Under western eyes.--Bradbrook, M. C. Narrative form in Conrad and Lowry.--Davis, K. W., Higdon, D. L., and Rude, D. W. On editing Conrad.--Karl, F. R. Conrad and Pinker.--Moser, To Conrad and the good soldier.--Vidan, I. Ford's interpretation of Conrad's technique.--Kocówna, B. The problem of language.--Mursia, U. The true birthplace of Joseph Conrad.--Gillon, A. Conrad's reception in Poland for the last sixty years.
