Machine generated contents note: 1.Salman Rushdie's "Epico-Mythico-Tragico-Comico-Super-Sexy-High-Masala-Art," or Considerations on Undisciplining Boundaries / Ana Cristina Mendes -- 2.Merely Connect: Salman Rushdie and Tom Phillips / Andrew Teverson -- 3.Beyond the Visible: Secularism and Postcolonial Modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations / Stephen Morton -- 4.Living Art: Artistic and Intertextual Re-envisionings of the Urban Trope in The Moor's Last Sigh / Vassilena Parashkevova -- 5.In Search for Lost Portraits: The Lost Portrait and The Moor's Last Sigh / Joel Kuortti -- 6.Paint, Patronage, Power, and the Translator's Visibility / Jenni Ramone -- 7.Show and Tell: Midnight's Children and The Boyhood of Raleigh Revisited / Neil Ten Kortenaar -- 8."Nobody from Bombay should be without a basic film vocabulary": Midnight's Children and the Visual Culture of Indian Popular Cinema / Florian Stadtler -- 9.Visual Technologies in Rushdie's Fiction: Envisioning the Present in the `Imagological Age' / Cristina Sandru -- 10.Bombay/`Wombay': Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet / Ana Cristina Mendes -- 11.Screening the Novel, the Novel as Screen: The Aesthetics of the Visual in Fury / Madelena Gonzalez -- 12.Media Competition and Visual Displeasure in Salman Rushdie's Fiction / Mita Banerjee.
